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Review: The Dark Night

Be warned, this is not a film about Batman. It’s not about the Joker either. If you have to pin it to anyone, I would say the main character of this film is the city of Gotham. More than that though, this is a film about solitude; a film about one tiny pebble in a vast ocean of problems; maybe even two pebbles.

Solitude is a common theme in the films of Christopher Nolan. He addressed it with Memento; then went even deeper with Insomnia. He toyed with it in Batman Begins, and you’ll even find it in The Prestige, but it wasn’t until The Dark Night that he really brought it home, and IMAX made it twice as powerful. The majority of the movie is filmed in standard 35mm, but a few choice scenes were filmed on IMAX cameras, using 70mm film, giving Nolan twice the scope possible with the rest of the movie. These scenes were not picked willy nilly. Every scene filmed in IMAX consists of either a lone Batman (Christian Bale), or a lone Joker (Heath Ledger), sometimes together, doing their thing – two solitary forces trying to affect a gigantic 70mm world.

These scenes enact what amounts to a few small ripples in the lake of problems affecting Gotham City. Crime is at an all time high and Batman can barely keep up. Out of nowhere, a new kind of villain shows up and turns the city upside down – the Joker. These two opposing forces make small jabs at society – one for its good; the other for its demise, but as long as these forces are acting on their own, society remains largely unaffected and right back where it began. It is only as these characters learn they cannot do it on their own that they start to see some change, and Harvey Dent (Aaron Eckhart) is the key to this change. He is the only one that can rally the city for good or for evil. Batman and the Joker are merely symbols for the city to embrace; two sides of the human ethos. It is when these two opposing forces realize this that the movie really takes flight.

Believe all the hype. This movie is THAT good. The acting is superb. Ledger is as amazing as everyone says. My friend, Kyle, said that Bale gave the weakest performance, but even his performance was leaps and bounds over anything else in the theaters right now. That’s saying a lot, and it’s true. Each character brings his/her own deep story with him/her, which Nolan places perfectly in the dark, lonely world he has created, then he adds a whole new level – IMAX, bringing twice the power to his themes and in turn, twice the power to the film. If you haven’t seen this film on the IMAX screen, you haven’t seen it.

Watch it, then watch it again.

– 4,346,527,918 arbitrary stars

This Week in Movies – 7/28/08

In Theaters Friday:

  • The Mummy: Tomb of the Dragon Emperor – As lame as they are, I actually kind of like the Mummy movies. Brendan Fraser doesn’t take anything seriously. I’m still going to wait for DVD though.
  • Swing Vote – Kevin Costner plays a powerful hillbilly. I play a completely uninterested movie-goer. Who will prevail?

On Video Tuesday:

  • Harold & Kumar Escape from Guantanamo – If you liked the first one, you’ll like the second one. Otherwise, you’re either a prude or an uppity humor-hating snob.
  • Shine a Light – Scorcese directs a documentary about the Rolling Stones. Yes, they’re still alive, and yes you should watch this movie.
  • Surfwise – A man quits his job, drops off the grid, and brings his family with him, traveling from beach to beach in a motor home. You better believe it’s in the queue.
  • Never Back Down – Never Watch Movie.

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Favorite Video Friday – The Lip-Syncing Fan Montage

This week: The lip-syncing fan montage

Junior Senior – Can I Get Get Get

Gotta love the Danes.

Mr. G – Naughty Girl

I would be scared to see this video had they not done the lip-sync montage.

Red Hot Chili Peppers – Tell Me Baby

The Chili Peppers went a slightly different way with their montage. Directors Jonathan Dayton and Valerie Faris (Little Miss Sunshine) held auditions calling for people who came to California to achieve fame and people who play music just to play music. They filmed the callbacks and Flea and the gang jumped on stage to surprise the auditioners.

Review: Leatherheads

George Clooney is a great actor. He is one of the few today that approach legend status. He stays out of the tabloids, resurfaces only to promote a movie, and always delivers (I refuse to acknowledge the existence of Batman & Robin). There is a sense of mystery that adds to his screen presence in any film. His directing however is still in the childlike discovery phase.

In Leatherheads it becomes apparent that Clooney is a strong advocate of the Coen brothers. The Coen brothers are masters of character study. Their art is in putting a wide assortment of interesting characters together and letting them run free, filming their interactions. What results is almost an experiment in anthropology. Clooney attempts his own experiment in Leatherheads, but falls well short of the masters.

Each character on his/her own is very interesting. Clooney’s performance as an old-school football bruiser is flawless, as is John Krasinski’s portrayal of the college football hero. Even Renee Zellweger excels despite a poorly written reporter archetype. It’s in the interactions that this movie fails. They’re just not that interesting.

In the end, this movie was entertaining, but more so like a child imitating his favorite cartoon: largely unorganized, yet likeable, and sometimes funny, but it could have been so much more. It could have been the Coen brothers.

– 42 arbitrary stars

U WIN

I don’t consider myself a lucky man, but I’m not altogether unlucky either. Some people are lucky at cards; others are lucky with women; I’m lucky with soda.

I don’t know when it started, but for as long as I can remember, I’ve had the uncanny ability to pick out the 20oz soda that will earn me a free soda. I used to go to the gas station with my friends relying on this ability. We’d pool our money together for one soda, I’d pick it out, and sure enough, I’d win another soda for my friend. I can’t even begin to count the amount of 20oz beverages I’ve won over the years. Lately though, I feel like my gift is starting to fade.

Last weekend, Megan and I went up to Utah to do some shooting for a video assignment. On the way back, we stop at a gas station and I pick up a Dr. Pepper. I unscrew the cap and check the inside as I always do and I see a message a lot like the one in the picture above. “Sweet!” I think to myself, “It happened again!”

Now, usually when there’s a winning message like that on the inside of a bottle cap, it means I’ve won a free soda. But this time, I see no indication anywhere on the cap or bottle to tell me what exactly I’ve won.

I get home and get online as I usually do, and eventually remember the cap I left sitting somewhere. I find it and head over to DrPepper.com to enter the code, all the while thinking I’ll be able to print out some sort of coupon for a free soda. I fill out the registration form and punch in the numbers when this screen pops up:

Computer Wallpaper. That’s my prize. No free soda, just some ugly, fabricated, over-produced piece of promotional filth to stick on my computer and give them free advertising. I don’t think Shia LeBouf even carries a sword at any point in that movie. He just flips around that knife all movie long. I was so upset, I didn’t even bother saving the actual image.

Dr. Pepper, you broke my heart.